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The Sanctuary of the Suffering Jesus (Sanktuarium Pana Jezusa Cierpiącego) in Bielany is a clear point of reference for cultural trips: Stage 13 of the Way of St. James in Lesser Poland begins here. This brings two different travel interests together in one place: sacred art and the starting point of a pilgrimage stage. When planning your trip, you can focus on Bielany primarily for its religious art or make the start of the stage your main reason for visiting.

Sacred art in the sanctuary

The sanctuary’s Baroque altarpiece houses a painting on canvas of Christ being scourged and crowned with thorns. An unknown artist created the painting between 1702 and 1703. Its subject, canvas support and date provide a specific point of entry to the work. The scourging and crowning with thorns are part of the Passion and are depicted together here. Those interested in sacred art will find a precise thematic and historical point of reference.

Another dated object is in the tower: a bell cast in 1513 hangs there. Its date is well before the period of the altarpiece painting. The comparison clearly distinguishes the two furnishings: the bell belongs to the tower, while the painting is part of the Baroque altarpiece. This takes the visitor from a painting with a precisely identified subject to a much older bell.

The Way of St. James and the religious calendar

Stage 13 of the Way of St. James in Lesser Poland begins at the sanctuary. Those interested in this route can include Bielany in their plans as a clearly identified stage starting point. This perspective differs from a visit prompted primarily by the painting or the bell: in one case, the sanctuary’s role on the Way of St. James matters; in the other, its religious furnishings.

The indulgence celebrations also give the sanctuary a recurring religious significance. Many believers come for them on 3 May, 14 May, Pentecost and 14 September. These dates offer a perspective alongside art and pilgrimage: when planning your trip, you can focus either on the stage as part of the route or on the listed celebration dates as a religious occasion.

Two wayside shrine chapels as a distinct attraction

Two very similar wayside shrine chapels stand in a line along Bielany’s main road on the Kęty–Oświęcim route, about 13 metres apart. One contains an image of Our Lady of Częstochowa, the other an image of St Florian. Their paired arrangement makes comparison a striking detail: the chapels resemble one another, while their images depict two different religious figures.

This adds another sacred subject to the sanctuary. There, the focus is on the altarpiece, painting and bell; here, the subject is two similar chapels with different images. This is a specific difference to consider when choosing your destination: Bielany appeals to travellers interested in religious art and history, whether they focus on the sanctuary and its connection to the Way of St. James or on the pair of images along the main road.

Discover more destinations: Brzeszcze, Łęki, Nowa Wieś, Grojec, Jawiszowice, Kęty, Skidzin, Zator.

Return to the main travel overview: Auschwitz.

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