History among buildings and the Seine
The history of Montliot-Et-Courcelles encompasses buildings, works of art and archaeological traces. Its timeline ranges from Gallo-Roman remains to a medieval stone and churches whose construction history spans several centuries. The Seine also flows through the commune. This gives travelers two distinct perspectives: historical evidence that can be placed in a chronological context, and a geographical feature that characterizes the place in a different way.
Pont des Romains and historical milestones
The Pont des Romains spans the communes of Étrochey, Montliot-Et-Courcelles and Vix. Its main construction phase dates to the fourth quarter of the 17th century; since December 29, 2021, it has been listed as a historic monument. The construction phase and listing date answer different questions: the construction phase indicates the main period of construction, while the later date marks its listing as a monument. This distinction helps separate the age of the structure from its formal recognition. The bridge is therefore a concrete point of reference for the commune’s architectural history, whose geographical reach extends beyond Montliot-Et-Courcelles.
Churches and art from different centuries
The Église Saint-Didier dates from the 13th century and was altered in the 16th, 17th and 18th centuries. This makes it possible to distinguish chronologically between its medieval origins and later changes to the building. A stained-glass window from the 16th century bears the coat of arms of Michel Boudet, Bishop of Langres. The window marks a distinct point in the long history of the building and draws attention to art as well as architecture. The alterations span the 16th to the 18th centuries; the window itself belongs to one of these later periods.
The Chapelle Sainte-Anne in Courcelles dates from the 18th century and was altered in the 19th century. Associated with its choir is the painting “tableau: la croix présentée par les anges A l'Enfant Jésus,” created by Jean Tassel around 1640. The painting therefore predates the chapel’s construction in the 18th century, while its alteration took place in the 19th century. This gives three distinct points for comparison: the older artwork, the construction of the chapel and its later alteration. The works and construction phases can thus be placed in context without assigning them to the same period.
Archaeological traces and the river
Gallo-Roman remains were discovered at Champs de l'Abbaye in Montliot. The cemetery is also home to the Pierre des Morts, a medieval stone with 25 cup marks. These two finds broaden the view beyond the churches: one points to Gallo-Roman traces, the other to a medieval period. Archaeological finds and a distinctive stone are therefore part of the local history, alongside buildings and works of art.
The Seine flows through Montliot-Et-Courcelles, adding a geographical perspective to its historical themes. While the buildings and works of art can be placed in context according to their different dates of origin, the river provides a spatial reference for orientation. Visitors choosing this destination can focus on different aspects, including architectural history, art, archaeological traces and the commune’s location on the Seine.
If you would like to see the Église Saint-Didier or the Chapelle Sainte-Anne from the inside, check in advance what visiting options are available. To help guide your visit, you can prioritize topics according to your interests: architectural history shows changes spanning several centuries, the stained-glass window and the painting draw attention to works of art, and the archaeological traces offer a different historical perspective. The Seine provides the commune’s geographical context.
Discover more destinations: Longecourt-lès-Culêtre, Pontailler-Sur-Saône, Val-Suzon, Marcenay, Liernais, Magny-lès-Aubigny, Brianny, Saulon-La-Rue
For the broader travel overview: Cote-Dor.
